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"Well, s'pose it wasn't any dream? S'pose it was all real? An' s'pose, if I hadn't waked up in time to stop him, he'd have picked your eyes out an' put in fisheyes in their place? Then you couldn't see anythin' unless you was under water. An' s'pose, when I asked Croaker what he wanted to do that awful thing fer, he up an' told me that you'd been spyin' on me an' you didn't deserve to own human eyes? I say s'pose all this. Now then, Anse, you best mind your own business an' let your mouth freeze up close, else you're goin' to have an awful time of it. If I get Croaker to say he won't gouge your eyes out till I give the word it's more'n you deserve.", Billy had to stifle his emotion and swallow twice before he answered: "That's what I'd like you to call me. I'll bet you can't say it, though.", Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles..